Art Comparison Analysis

Holloway, Enejor Art Appreciation- crowd November 2012 Visual Analysis 13. 9 Peter Paul Rubens The abduction of the Daughters of Leucippus is a europiuman motion picture, involving sexual erotica and cultural indication of masculinity and femininity. The paintings imagery consists of blue skies, shimmering and a variety of textures to add to the rich start and the sensual color harmonies. All figures are placed in a diamond shape, suggesting ongoing movement. On the left, dark tones act as a foil to the lighter areas in the center.Textures such as armor, satin, flesh, and hair, are totally painted in a significant way. The painting specifies what was considered masculine and fair(prenominal) in Flanders, 1617, and the type of roles women and men played, which is where the texture and elements of the painting become measurable because of the way the women is painted in the piece, she is displayed as voluptuous, soft and fleshy look which was considered sexually attractive and a sign of health and wealth.The statement The contend of the sexes is a necessity of nature, is a statement of symbolism associated with this painting The women were a lot more pale than the men of this eon hinting that they probably stayed inwardly and the men on the other hand who mainly participated in outdoor(prenominal) activity were darker skinned, also muscular. The painting illustrates, through the figures positioning, that women conditioned to be helpless, which is why in the painting they are sort of throwing their blazonry up in a surrendering manner, not really showing ofttimes resistance to them men who display expressions of determination and unemotional. 3. 10 Jacques-Louis David Oath of the Horatii is a painting, created in France 1784, that represents and expresses early history of ancient Rome in which one-third brothers vow to represent the Roman Army, Their duty and vow to the army characterizes qualities of braveness and patriotism, which in early ancien t Rome, and early history as whole, was a necessity of a mans life. The architecture and classical elements pass water the neoclassicism which was a evival of Greek and Roman aesthetics and is associated with masculinity and revolution On the other hand their sisters and wives are to the right of the painting are slumped down in sorrow of the expectance of death that comes with war. This painting expresses that heroical actions were a mark of masculinity, reinforced by the womens passivity. The masculinity in this painting is shown by the moment of male bonding, in the face of risk of exposure as the three brothers come together, under the grace of their fathers set patriotic virtues for them, willing to for others.The brothers look up at the swords as there are looking at their job, their liability and honor as the womens obligation and duty is concerning of the children. Both of these paintings fall the reality of grammatical gender roles played in a specified time setting, t he authors reveal the roles in a natural subtle way that cultures of Europe and ancient Rome believe in, in which the figures in the paintings illustrate a story of masculinity and femininity by advertising their both genders behavior and way of being towards each other and impost of society.